TOO COOL VIDEOGAMES™ 3
infamously directed by Alan Smithee.
“Your brain is already a junkyard of data and panic. Let’s turn that into artwork.”
Part of transmedia Non-Sequitur TOO COOL*** Games MINDFUCK
3rd installment of TOO COOL VIDEOGAMES™
a Video-Détournement project
co-created by Alan Smithee & Pata-NO UNLTD
as audiovisual commentary-Xtension born from the Game(s)
purposed on TOO COOL book Series.
NOTA: Are you enough COOL for this?
I tried to contact various venues or spaces en ESPAÑAÑA for the film's premiere during 2025 and 2026, but due to the outright rejection I received from every single Art center, Museum, galleries; VideoArt, Music, and/or Arts Festivals to whom I offered the Video:
Yep! from the so-called Spanish Underground scene
(— supposedly avant-garde; supposedly COOL?
Radical? supposedly underground! wOw—)
OF COURSE! 🤡🤥🤥🤥
So... because SPAIN IS PAIN:
*NoW you have it ONLINE. For your private pleasure; a video for and against the INTERNET had to be on the INTERNET. The Medium is the Medium*
PLAY IT (or NOT).
TAKE IT or LEAVE IT, Suckers...
We don't give a Fuck.
TOO COOL VIDEO GAMES 3 throws you into a haunted arcade full of lost and banned game relics, where Ultraviolence and VR hallucinations collide. From the legendary Polybius cabinet (that urban myth of an arcade game said to drive players into nightmares, seizures and madness) to the ghost-gun carnage of Chiller’s torture chamber, every pixel is soaked in gore.
Serie-Z Cyber-horror Non-Cinema Xperience. 80s VHS ghost stories remixed with VR headset POV and campy B-movie bloodbaths. Cheap digital backdrops smear into psychedelic channel-glitch. Every scene looks like it’s bleeding out of a haunted console – walls become flesh, wires sprout veins. Even Technoboredom and screens are explicitly targeted. Tonewise, it often feels like a bad grindhouse film director at the helm of a DMT trip.
Like a lost episode of MTV’s Liquid Television directed by an acid-dreamer (and endorsed by discordian pranksters) – chaotic edits that it makes absurdity the point. Fans of retro horror games will catch every damn reference: the biomechanical visions of Dark Seed and Dark Seed II (H.R. Giger’s living paintings brought to life as digital womb-hellscapes), the unhinged finale of Harvester’s town of tormented souls, or even a secret menu screen straight out of Hellraiser. If all this sounds like an underground meme orgy, that’s the point.
Deus Ex–style conspiracies lurk behind the scenes, while forbidden levels of satanic iconography and twisted tech-magic flash on screen. But beneath the gore, the humor is reflexively absurd: forbidden games are literally the rituals. Raw satanic symbols are dialed so high they become parody. Cenobites from Hellraiser show up as bizarre cameo demons: Pinhead glitching out of a vector graphic, digital hooks and chains on the screen. The infamous Lemarchand Box appears as a cursed VR game console – solve its digital puzzle and you open a Stargate to hellish boss levels.
Gleefully offensive – this project provokes laughter and a little mind expansion. The film simply smashes together our darkest game fantasies and dares you to enjoy the ride. Even non-gamers will feel like they’ve binged on the weirdest schizophrenic cartoon, brains rewired to retro-arcade delirium.
It’s gory, it’s campy, and it knows it’s gory and campy. The film never moralizes about Ultraviolence; it just hands you the joystick and grins. So strap in: this is a surreal, offensive mind-trip through Videogames Hell Virtual Reality.
Go on… press START and see how deep the madness goes.
for MORE Disinfo about TOO COOL VIDEO GAMES™:
ALL RITES REVERSED Ⓚ
Iglesia del Surf del Cristo Risueño de la Costa LTD. MMXXVI ©
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